Last updated 5/2019
MP4 | Video: h264, 1280x720 | Audio: AAC, 44.1 KHz
Language: English | Size: 16.72 GB | Duration: 19h 44m
(20+hrs) Watch & Learn the Entire Filmmaking Process of Directing a Low Budget Feature Film. Real Life Film School
What you'll learn
Comprehensive explanations on lighting and recording sound for every day of production
Examples of the contracts, permits, call sheets
What it's really like to make a feature film
Requirements
Anyone who wants to learn to make a feature film on a budget
Description
Join over 33,000 students learning from our courses!You can spend tens of thousands of dollars on film school, you can work as a production assistant for a decade and hope to move up the ladder - or you can GET OUT THERE AND MAKE YOUR OWN MOVIE! FILM SCHOOL IN A BOX shows you - in every possible detail - how one team of Hollywood professionals made, and commercially released, a movie on a micro-budget of $100,000. YOU CAN TOO!FILMMAKING IN A BOX has over 20+ Hours of real world lessons they DON'T teach you this in Film School! This course is unlike anything you've ever seen. Seriously. If you're a lover of movies who dreams of getting behind the camera, you know you own dozens of DVDs with behind-the-scens material that you've watched 100 times. Right?But, seriously. When are you going to get the chance to be standing in a field surrounded by 10,000 extras all in custom-made armor filming with 20 cameras? Chances are your first film (or even your second or third) are going to be significantly smaller in scale than that.FILMMAKING IN A BOX is the ultimate behind-the-scenes look at the making of a micro-budget(meaning REALISTIC BUDGET!) feature film. This is a look into how a professional near-no-budget film is made - with EVERY DETAIL available at your fingertips!--------------------------------------------------------------------------------------------------------"It shares the kind of lessons that can usually only be learned by doing. Not a lecture, not a seminar, just the honest, accurate, moment-to-moment account of everything it takes to put a film together."Earl Newton, Executive Producer/Creator Stranger Things--------------------------------------------------------------------------------------------------------How Can FILMMAKING IN A BOX Help You?FIB examines the EVERY detail of the making of an independent movie called 2 Million Stupid Women (a comedy written by a woman!), which was made for only $100,000, made within the "Hollywood" system.FILMMAKING IN A BOX has ton of INCREDIBLY detailed behind-the-scenes interviews and footage covering every stage of the prep, production and post-production . You'll get interviews and conversations with all key members of the production team: the director, the producers, the writer, the cinematographers, the editor, the production sound mixer, the post production sound designer, the assistant director and more! These are not marketing fluff interviews - these are uncensored, honest and straight-to-the-point discussions about every pitfall, conflict and negotiation required to complete the project.In addition - you also get hundreds of pages of the actual documents used to make the film: the full budget (yes! the REAL full budget, line by line see how the money was spent), the schedule, call sheets, every contract, director's notes and MORE.FILM SCHOOL IN A BOX will take you, step-by-step, through the exact process this team took to mount an independent feature film from the ground up. FILM FILM SCHOOL IN A BOX shines a light on every potential misstep and lucky break that can fall into a first-time (or second or third!) filmmaker's lap.--------------------------------------------------------------------------------------------------------"I wish something like this existed when I was starting out... No bulls**t; the next best thing to actually being there with the filmmakers while they were making it!"Mark Bell, Owner/Publisher/Editor-in-Chief, FilmThreat--------------------------------------------------------------------------------------------------------To get a real idea of what's inside, you need to see the FULL TABLE OF CONTENTS (link below!), but - just as a sample FIB includes:The complete filmmaking experience all in one package. Over 17 hours divided into 108 individual video modules covering:• Development
• Funding
• Contracts
• Casting
• Rehearsals
• Locations
• Lighting
• Sound
• Cameras
• Production Diary • Editing
• Score
• Music
• Post Production SoundWe also include all the production documents we used: • Full Budget
• Schedule
• Screenplay
• Call Sheets
• Casting Notes
• ContractsFILMMAKING IN A BOX also includes such unique features as
• Audition footage
• Rehearsals with the actors
• The complete, pre-mixed, rough-cut of 2 Million Stupid Women
• The entire table read with the cast and filmmakers of 2 Million Stupid Women
• Comprehensive explanations on lighting and recording sound for every day of production
• Behind the scenes footage shot during principle photography
• Examples of the contracts, permits, call sheets, sound reports, and dozens of other pertinent documents used during production
• Over 100 individual video modules detailing every single element of pre-production, production and post-production
• The final release version of 2 Million Stupid Women
• And even more.FIB is a must-own for anyone thinking of making their first, second or even third feature filmIt is beyond anything you can learn from film school or filmmaking tips in a book.This is as close to the experience of actually making a movie as you can get - without actually doing it.
Through candid, first-hand anecdotes, hard-earned by actual independent filmmakers, FILMMAKING IN A BOXwill help prepare you for what to expect before you ever step foot on set. Whether you're prepping your first film, or you're simply curious what goes into making an independent film, FILMMAKING IN A BOX is an essential tool of every aspiring filmmaker or video creator.If you've got the dream.If you've got the drive.If you've got the passion - but you're missing the knowledge and experience...Filmmaking in a Box will help you make your film into a reality.Enroll NOW and learn how to make a low budget feature film! Let's get started!
Overview
Section 1: Pre-Production: Development and Gearing Up
Lecture 1 The Script
Lecture 2 The Budget
Lecture 3 Why This Film, This Way?
Lecture 4 Contracts
Lecture 5 Getting the Deal
Lecture 6 Creating a Schedule
Section 2: Pre-Production - Casting an Indie Film
Lecture 7 Using Non-Union Actors
Lecture 8 Working with a Cast Director
Lecture 9 The Casting Process
Lecture 10 Casting Lead Role #1 - Melissa
Lecture 11 Casting Lead Role #1 - Original Audition
Lecture 12 Casting Lead Role #2 - Anna
Lecture 13 Casting Lead Role #2 - Original Audition
Lecture 14 What are Chemistry Callbacks?
Lecture 15 Chemistry Callbacks - Melissa and Anna
Lecture 16 Casting Lead Role #3 - Todd
Lecture 17 Casting Lead Role #3 - Original Audition
Lecture 18 Final Chemistry Read
Lecture 19 Chemistry Read - Todd, Melissa and Anna
Lecture 20 Casting Supporting Roles - Jim
Lecture 21 Casting Supporting Roles - Original Audition
Lecture 22 Casting Additional Roles
Section 3: Pre-Production: Rehearsals and Table Reads
Lecture 23 The Table Read
Lecture 24 Rehearsal - Character Study
Lecture 25 Rehearsal - 1st Improv
Lecture 26 Rehearsal - 2nd Improv
Section 4: Production: Planning and Logistics
Lecture 27 Production Meeting
Lecture 28 Day One: Production Moves
Lecture 29 Day One: Camera and Lighting
Lecture 30 What is a Walk Away Meal
Lecture 31 Day One: Sound - Beveled Glass
Lecture 32 Day One: Sound - 7-Eleven Store
Lecture 33 Adjusting Call Times & Background Make-up
Lecture 34 Camera Department - DIT Workspace
Lecture 35 Start Times and Turn Around
Lecture 36 When to Serve Your First Meal
Lecture 37 Sound on the Shotmaker
Lecture 38 Driving and Ambient Lighting
Lecture 39 Shooting Guerrilla Style (Totally Illegal)
Lecture 40 Planning the Night Club
Lecture 41 Production: Creature Comforts
Lecture 42 Sound in Small Spaces
Lecture 43 Dealing with Puke and Waredrobe
Lecture 44 Planning the Big Party Night
Lecture 45 Cash vs Checks
Lecture 46 Creating a Visual Style
Lecture 47 Dueling Cinematographers
Lecture 48 Duel Camera Coverage
Lecture 49 Recording Great Production Sound
Lecture 50 Working with the Script Supervisor
Lecture 51 Wardrobe
Lecture 52 Locations
Lecture 53 Permits
Section 5: Production - Day 1
Lecture 54 Day 1 - Location
Lecture 55 Day 1 - Lighting
Lecture 56 Day 1 - Sound
Lecture 57 Day 1 - Production Diary
Section 6: Production - Day 2
Lecture 58 Day 2 - Location
Lecture 59 Day 2 - Lighting
Lecture 60 Day 2 - Sound
Lecture 61 Day 2 - Production Diary
Section 7: Production - Day 3
Lecture 62 Day 3 - Location
Lecture 63 Day 3 - Lighting
Lecture 64 Day 3 - Sound
Lecture 65 Day 3 - Production Diary
Section 8: Production - Day 4 & 5
Lecture 66 Day 4 & 5 - Lighting
Lecture 67 Day 4 & 5 - Sound
Lecture 68 Day 4 - Production
Lecture 69 Day 4 - Camera
Lecture 70 Day 5 - Production Diary
Section 9: Production - Day 6
Lecture 71 Day 6 - Locations
Lecture 72 Day 6 - Lighting
Lecture 73 Day 6 - Sound
Lecture 74 Day 6 - Production Diary
Section 10: Production - Days 7, 8, 9 & 10
Lecture 75 Days 7, 8, 9 & 10 - Location
Lecture 76 Days 7, 8, 9 & 10 - Lighting
Lecture 77 Days 7, 8, 9 & 10 - Sound
Lecture 78 Days 7, 8, 9 & 10 - Production Diary
Section 11: Production - Day 11
Lecture 79 Days 11 - Locations
Lecture 80 Days 11 - Lighting
Lecture 81 Days 11 - Sound
Lecture 82 Days 11 - Production Diary
Section 12: Post Production: Editing the Beast
Lecture 83 Building the Credit Sequence
Lecture 84 How to Find an Editor
Lecture 85 The Editor's Audition
Lecture 86 Editing - The Process
Lecture 87 Editing - Organization
Lecture 88 Editing - The Rough Cut
Lecture 89 Editing - The Test Screening Version
Lecture 90 Editing - Additional Shooting
Section 13: Post Production: Sound and Music
Lecture 91 Finding Music
Lecture 92 Scoring Through Social Media
Lecture 93 How to Approach the Artists
Lecture 94 Music Contracts & Releases
Lecture 95 Sound on a Limited Budget
Lecture 96 Sound Editing
Lecture 97 Sound - Dialog Editing
Lecture 98 Sound - Music Editing
Lecture 99 Sound - ADR
Lecture 100 Sound - Foley
Lecture 101 Sound - Pre-Mix
Lecture 102 Sound - Final Mix
Section 14: Watch The Movie
Lecture 103 Two Million Stupid Women - Final Version
Section 15: Bonus Materials
Lecture 104 BONUS: What DO You Want to Learn Next?
Lecture 105 Interview with the Writer of Two Million Stupid Women
Lecture 106 WGA Writer's Strike
Lecture 107 IFH Podcast: Why Are Filmmaker so F*ing Broke?
Lecture 108 Understanding Light Quality Hard and Soft Light
Lecture 109 What is Dynamic Range?
Lecture 110 Introduction to HDSLR Cameras
Lecture 111 How to Repair an Arri Fresnel
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